Singing in Egypt is multi-talented, ranging from a group of valuable voices highlighting all musical classes; However, some of these talents are being marginalized and lacking support despite their presentation of songs from the beautiful time that are not suitable for the masses nowadays. That is why the “First Page” website hosts Maestro Osama Ali in a dialogue session about the low tastes of the masses and musical drugs.
Is the emergence of art outsiders blocking real talent?
The financier and talent supporter at the present time are looking for those who have no value and who do not have real and meaningful content to provide, the most important thing for him is to make profits even if the content will negatively affect the entire community, such as festivals that I consider as a drug of music, but it increases the opportunity for bad beliefs besides He pushed it with the decline and decline of Egyptian music and helping the masses to randomize.
Do some talents resort to illegal methods in order to appear?
Of course, yes, there are legitimate methods in all fields, as well as art, and it is also afflicted with the same curse, so some singers drive for these methods, but their principles are what drive them to those desires.
Egypt is a scene of famous Arab singers, what do you think of this phrase?
All the great Arab singers have reached the path of stardom through Egyptian theaters, including Kazem El-Saher, Assi El-Hillani, Saber Al-Rubai, Wael Jassar and others, and the exit of Arab singers' fame from inside Egypt is a natural thing, as Egypt always receives different voices and always tastes all the arts and there are two types of fame for Arab singers in Egypt, the first of them is a real type, and the other is a singer who has a financial balance, so he advertises and advertises for himself while he tries to reach fame at any price and in all ways, and indeed he succeeds in that.
How has technology affected audiences' tastes?
People no longer like the "Sultanate" like the past, because in short it is a saying of the time, go back, oh time. Technology, its advancement and its spread have an impact on the tastes, which made everything go with lightning speed, as it worked to accelerate the rhythm of life.
What is the real reason behind the low taste of the masses?
The first reason behind the low taste of the masses is the financier and art dealers who want gains and are not interested in raising young people or educating the community, which is a final matter and there is no way to limit their behavior and the one who is based on business and they are the union and has left them without responsibilities, let alone the public who has nothing.
The Egyptian public assimilates all the arts, so the audience does not reject anything, and the public is not to blame for accepting kitsch art, and this is not the public’s fault, but rather it is the fault of those responsible for preparing artistic content who allowed descending artistic materials to spread among people.
How do you see the future of festivals in Egypt?
I think with some optimism that the "festivals" are coming to an end. Inevitably, the audience will realize that this thing unjustly attributed to singing will destroy society and must be eliminated. It takes away the mind and makes people in a state of disorientation and unconsciousness without meaning to speech and without any goal and this has great harm to the body And the psyche and the general culture of society.
What are the ways to resist kitsch?
Ways to change the culture of society is to provide new content, and good quality in a way that improves the community’s taste in light of the use of soft power well. As long as the Egyptian people are affected by aesthetics, why do not we offer them everything that is beautiful, and even if we do not offer content that is not the same as old songs, we must not provide content Falling and not mixing eastern and western singing, and preserving the oriental rapture. I see Egypt is able to do this. We have hundreds of talents.
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