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The Moroccan instrument music, known by its acronym "Andalusian music", is one of the oldest international immaterial heritage music that has passed through time to us through long stages of receptivity.

Which took in its early stages the tint of oral instruction based on preservation in the face of the weakness of the means of documentation, especially in the face of the loss and neglect that affected the manuscripts that meant documenting their data.

The end of Arab rule in Andalusia hastened the expedition of large groups of Muslims to search for more secure geographies for the sake of stability, especially after the fall of Granada, in exchange for what they meant to restrict freedoms and abuse the rights they enjoyed before.

This is what they found in the countries of the Greater Maghreb, due to the religious, religious and political ties that linked these countries to the countries of Andalusia, especially the Far Maghreb, which embraced a significant proportion of those forcibly deported.

They traveled with them to Jani, their possessions that had been entrenched in their memories of social customs and traditions, as well as the cultural and knowledge legacies that had settled in their minds.

Oral literature was an important part of what they were transferred to the countries to which they traveled due to the scarcity of written literature, which they were barely prevented from deporting.

The poems sung in instrument music were part of the material with which they crossed the Mediterranean, trying to share it with the inhabitants of the regions they chose to live in.

The instrument's music reached a great deal when the Arabs extended their control over the Iberian Peninsula, and in the face of that wide circulation a musical culture that was distinguished by local peculiarities was established.