The theater was the cradle of his way to humanitarian work and the repository of his creative ideas and his view of evoking the technique of the high-end scene, the theater is the beacon of his dream that does not extinguish and the flame of his elegant heart, the artist who devotes his time to the service of the stage and the elevation of the theatrical work, the director who was able to combine his directorial vision and his personality Artistic in brilliant ingenuity, the beautiful and creative “Magdy Obeid” is hosted by “Sabah Masr” in a special dialogue that is unique in itself in order to shed light on such a character who shone the lights of its artistic icon when he played the character Abu Al-Ross in a wonderful masterpieces of Egyptian drama series “ Hadith morning and evening ”.
Tell me about your most directing work that is closest to your heart?
- From 1986 until today, and all the theatrical performances that I directed have brought me happiness, which lies in the transfer of the experiences I gained from my teachers to the talents of acting within the regions through training on actor preparation..and the logic of teaching and learning..and enlightenment and delivering the message to the masses of our theater.
Theater has its own prestige and its different flavor. How do you see that as a theater director?
- The theater, whether traditional (stage stage) or theater performance in any empty space (Jorn, Samer), the actor can present a theatrical case that brings him and his fans pleasure, the main ribs of the theater, an actor and a place that brings him together with his audience, together they achieve the desired intimacy.
Provincial talents are less fortunate in terms of theater participation opportunities, so why?
- The talents of the regions have not received their adequate support and encouragement, given that the regional theater has not become a national project, providing them with adequate training and media follow-up for it, although there are attempts to advance it, but it is still faltering, as the general cultural project has stumbled, especially since the culture has been bulldozed and the public taste and mood of Egypt have been destroyed. Intentionally purebred.
How was your directorial experience in Upper Egypt?
- Most of the theatrical performances that I directed were in Upper Egypt, Beni Suef, Assiut, Qena and Sohag, and Upper Egypt with all creative writers, directors, poets, composers and decor designers, and it is enough that Upper Egypt presented us with the most famous Egyptian poets and novel writers, and theatrical performances in Upper Egypt are very important, and participate in international festivals .
How did your passion for theater affect your artistic personality?
- My passion for theater and my love for it made me more humane because it is a collective human activity that fuels and develops human feelings, so theater is the finest human activities..and any artist who wants to be distinguished must work to develop himself and his artistic tools and capabilities through education, reading, follow-up and training.
Until this moment, the Egyptian viewer is fond of the role that she played in the series Hadith Al-Sabah and Al-Masaa. How were the scenes of this role?
Regarding the character of Abu Al-Rous in the pride of the Egyptian TV drama “The Morning and Evening Happiness”, which was my first work in a TV drama, and the first time I stood as an actress in front of the camera, the truth is I say I was lucky to be among a battalion of lovers, and in front of a character in which the genius Mohsen Zayed nominated me. May God have mercy on him ”, the author of the script, dialogue and television treatment, after he saw an actor in a theatrical show, and asked me to read the script for the most difficult novel of the world, Naguib Mahfouz.
I had read the literary novel before, and I was amazed as I read the script, dialogue, and television treatment of the novel, and after reading in an interview with Professor Mohsen Zayed, I conveyed to him the state of fascination and surprise that befell me with the paper.
I did not know he saw me in the role exactly .. He said to me in the text: Long and that I write you see you look good in front of me in the character of Abu Al-Rous..What do you think? I almost flew with joy because Abu al-Rous’s personality was one of the most influenced by and influenced me during the reading, so I said, Professor, I see that it is a very human character, even though he has a short and short congenital defect, but he is a human being .. a grandmother and a son of a country and my country..And although it is possible that He presents a comic cartoon .. he introduces me as a comedian, except that I highlighted the human being inside her and I will not seek to laugh, and this was my entrance for the character to convey the writer’s message .. and thank God that it arrived..the person is not his form..but its essence .. And throughout the period of filming I did not feel that I was a guest. My teachers, all co-workers ... we were brought together by a case of Sufi love for the beauty of the message of the series, which included all of us, artists, technicians and workers ... we all became all in one.
After that, I did not find or show roles strongly Abu Al-Rous, oh God, a composite character in a series without mentioning the names, written by Waheed Hamed and directed by Tamer Mohsen, and I participated in many television and cinematic works such as the series "Wedding Al-Qubba" and an episode in the series Badal Al-Hadduta 3 and the series Abu Al-Arousa Part Two, and others Many, and the films of adults, interest, Mawlana, Shikmara, Citizen Leper, Day and Night, Treasure, Fund of the World, and others, but I still adore my first role in TV drama, which represents to me the glow of the first kiss, Abu Al-Rus
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